[astra_breadcrumb]

Freedman, Stephen

Categories , ,
saved_resource16

Stephen FreedmanĀ is a third generation ceramist/sculptor, whose influences range from Sung Dynasty stoneware, to the sculpture of Auguste Rodin, to Darwinian principles of evolution. He has designed ceramics for corporations, is included in museum and private collections worldwide, and is a published author.

“The most immediate effect on my art of moving to Hawaii was a change in the relationship between my work and my writing. In L.A, my writing led the way for my sculpture. I’d published a few small books, and been asked to write movie scripts. My last major exhibition had been framed around the collection of short stories I’d written about the AIDS crisis.
I arrived in Hawaii with my four-year-old daughter, Monique who’d been diagnosed with AIDS at birth. To my astonishment she was rejected from pre-schools because she had HIV. I realized I could no longer use my work to speak openly. I needed to protect her privacy. I felt gagged.
My text-related work in clay ended. I wrote two books during my first years here, one compiling the children’s stories I’d written for Monique (which I didn’t release in Hawaii), the other a collection of fables based on my father’s work in evolutionary biology.

When I returned to clay, it was, for the first time in years, without text. I had to discover new techniques, new processes, and new glaze surfaces, all to reflect my new relationship with my work – one that didn’t involve words but could still speak. It took two years to develop.
When I was eight years old in Australia I would wander off into the bush. I would tie a rope to a tree and climb down cliffs, get lost in the scrub, cross rivers on fallen logs, stay there for whole days. I found peace and safety. There were poisonous spiders and snakes, but I found it much safer than being around people.

The information that nature offers is massive, complex, diverse, but it made sense to me even then. I never understood people well, the way they ostracize and hurt others… The garden is a place I feel safe and normal. The first thing I did when I arrived here in Hawaii, was to start gardening. I never stopped.”

Volcano Art Center